Book/Film Review: Cold Comfort Farm by Stella Gibbons

“Well, when I am fifty-three or so I would like to write a novel as good as Persuasion but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say, 'Collecting material'. No one can object to that.”
                                          ― Stella Gibbons, Cold Comfort Farm

	Book: Cold Comfort Farm Author:  Stella Gibbons Pages:   260 Format:  Paperback, Kindle/ebook Publisher:  Penguin Classics (org. ed. 1932) Book Source:   Public Library Category:   Classic Literature Style:   Humor, Parody
	Film:   Cold Comfort Farm (TV movie)  Starring:   Kate Beckinsale Released:   UK:  1995; US:  1996 Format:  available in DVD (95 minutes) Produced by:   BBC Films, BBC Film Source:   Netflix Category:   Romantic Comedy Style:   PG for brief sounds of heavy breathing

Synopsis from GoodReads:

THE DELIRIOUSLY ENTERTAINING Cold Comfort Farm is "very probably the funniest book ever written" (The Sunday Times, London), a hilarious parody of D. H. Lawrence's and Thomas Hardy's earthy, melodramatic novels. When the recently orphaned socialite Flora Poste descends on her relatives at the aptly named Cold Comfort Farm in deepest Sussex, she finds a singularly miserable group in dire need of her particular talent: organization.  Read movie synopsis at IMDB.com.

My Take:

I've wanted to see this movie ever since I saw Kate Beckinsale plug it on Letterman way back in the day, but I never got around to it.  Since then, I've followed Ms. Beckinsale's work from Much Ado About Nothing to Emma to Van Helsing and everything in between.  She is a talented actress, even as kick-butt vampire Selene in the Underworld series. When I finally caught Cold Comfort Farms on Netflix, she did not disappoint.  I enjoyed it so well, I had to scrounge our local library and actually read the book.  (As much as I like Gwyneth Paltrow, Ms. Beckinsale ruined Emma for any other actor).

Novel Sequels: the possibilities are endless

Jane the Negligent.

Writing a sequel is a pretty simple business.  Your characters are all set up for you.  The conflicts, the impediments, the wild tangents, red herrings, and extraneous characters are all there.  One need but follow the path that is already laid out for them.  It is also rather important to stick to that path lest you lose your way altogether.  Writing a collateral sequel (or whatever they call telling the same story from a different character's point of view) is much the same.  When you decide to do such a thing, you have found another character at least equally if not more intriguing than your original protagonist.

Both endeavors are also expressions of dissatisfaction.  "Oh!  I love that book!  I think I'll write a sequel," isn't really accurate.  You love the characters, you love the plot line or the situation or the environment or society.  You love all those things, but you believe the author fell a bit short in the treatment of it.  You'll just tweak it a bit.

I am a pathologic malcontent when it comes to reading.  Nine times out of ten, a book finishes before I do.  I have been known to stay up the entire night reading, or losing an entire day immersed in some kinder, gentler, more civilized place (or, at the very least, more romantic).  I devour books that interest me like a starving man at a smorgasbord.  Then, I delve into the what-ifs and if-onlys scattered about in the debris.

Laura the Prolific

I believe since I was old enough to read more than Dick and Jane (which was pretty early), I have lulled myself to sleep at night continuing stories that ended too soon.  Little House In the Big Woods by Laura Ingalls Wilder was probably one of the first and only partially sated my thirst.  I thought she stopped just when things really got interesting.  Laura, by the way, published her first novel at the age of 65.  There is hope for me yet!